Through the forms of painting, installations, drawings, and other experimentations, my work revolves around the narration and iconography of an absurd quotidian. The appearance of things and the importance of the object in the consumer society has become my main subject of interest. Close to the ideology of Arte Povera, my works are objects reflecting the image of reality.
Attracted by the industrial object and its predestined use, I integrate ready-mades in my work by retaining the shape, or diverting it completely, while keeping track of the original appearance that serves as starting point for the experiment.
In the process of conception, I search ideas in the urban landscapes, social situations, history and mythology of places. This practice, thus part of the work involves repetition and multiplication of gestures.
Seen globally, my work is an eclectic array of styles and materials, a combination of techniques and mediums, faithful to the subject of absurdity in everyday life.
Attracted by the industrial object and its predestined use, I integrate ready-mades in my work by retaining the shape, or diverting it completely, while keeping track of the original appearance that serves as starting point for the experiment.
In the process of conception, I search ideas in the urban landscapes, social situations, history and mythology of places. This practice, thus part of the work involves repetition and multiplication of gestures.
Seen globally, my work is an eclectic array of styles and materials, a combination of techniques and mediums, faithful to the subject of absurdity in everyday life.
